Movies
Midnight: a two-person film with four-person tension
Almost entirely in one room, leaning on two actors. The camera never shows off, because it does not have to.
Almost entirely in one room, leaning on two actors. The camera never shows off, because it does not have to.
Not one interview. Only magnetic tapes from the 1970s and an edit that knows how to read them.
Breathtaking cinematography, a script that builds the same sentence three times. Even IMAX cannot save the third act.
Out of festival season, two delayed productions and one surprise documentary. With dates.