Tired Orbit has a claim on the best opening ten minutes of the year. Then it spends 132 minutes stretching one idea.
The image really is big
Nothing in the IMAX footage is miniature, all of it is built. The six-minute sequence on a station hull has the best choreography in cinema this year. Sound design matches it: no score in the vacuum scenes, only hull vibration.
The script repeats itself
The film asks the same question three times: should we go back. It gets the same answer three times. Nothing in between changes the character.
Acting
The lead is good, but cannot give more than the page offers. The supporting role is the film's only real surprise.
Verdict
A film to see in a cinema, not for its script. Seven: a ten technically, a four as storytelling.
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