The setting is the 1920s, the subject is 2026. It avoids the genre's biggest mistake: it does not admire the past, it interrogates it.
Six of eight episodes are flawless; the last two spend the tension the first season built on a cheap explanation. Still one of the year's best.
Ten episodes that re-decide between comedy and drama every single time. The cast saves it; the script strains.
The eight-episode standard has settled in. But making fewer episodes on the same budget does not automatically raise quality.